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They can speed things up by trimming clips and overlaying them on top of each other. The video editor can extend that pace by holding on a single shot before cutting to the next line or by adding in a reaction shot. Captured footage is limited unto itself by the delivery of the talent on-screen and the real time display of action. A video editor controls a scene by how it’s paced. One of the greatest superpowers a video editor wields is the ability to compress or expand time. Simply talking through dialog with the rest of the production team will help the editor keep perspective on the footage they are cutting. An editor needs to keep open communication with the director and screenwriter to understand the purpose of the dialog in their edit. A finished cinematic work is the result of collaboration. It’s also important for the editor to understand they don’t work in isolation. The best way to understand the true purpose of a scene is to look at it in context of the overall story. This takes into account the written script, the directorial decisions from shooting and what the editor sees on the screen. An editor’s first priority is to stay true to the intended message of the scene. Likewise, a director’s vision might work as raw footage, but it doesn’t always carry over with the same intent when it’s cut together. For this reason, a director might stray from the script to emphasize a particular point. A script should work as a script, but that doesn’t mean it translates perfectly to shot footage. Sometimes these three things don’t line up quite the same way. There is the script as it’s written, the director’s vision which is evident in the footage, and there is the intent of the scene. When cutting dialog, there are often conflicting priorities. Putting them to practice will help make editing easier. Here are a few things to keep in mind when editing dialog. The assumed responsibilities of editing dialog and the role of the editor to create a flowing, cohesive story can be a daunting task, especially for the video editor who isn’t used to working with scripted dialog. When it comes to cinematic storytelling, dialog speaks volumes into the overall narrative. They need to remain true to the vision of all invested in the production and true to the narrative to advance the story. This puts an enormous responsibility on the shoulders of the editor. When footage filled with dialog reaches the video editor’s desktop, it’s a piece of loaded content, interpreted by multiple people and crafted from their sweat and hard work. Actors tirelessly rehearse to deliver dialog with the utmost believability. Directors work hard to shape and shoot a scene filled with dialog, delivering the best visual expression of what was written. Scripts are poured over by screenwriters, who work hard to craft and shape dialog with great intentionality to expose a character’s personality and advance a story. Interview footage is easy by comparison the dialog from an interview is raw and the expectation is that the video editor will cut it up to make sense, to carry forward a thought or idea, to present the best expression to fit the video’s narrative.ĭialog, in a fictional narrative, carries with it a great deal of sensitivities.
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Dialog is a tricky element for the video editor.